Music Monday: Cotton Mather Harnesses Ancient Chinese Wisdom In โThe Book of Too Late Changesโ
Cotton Mather translates the wisdom of โI Chingโ to Texas power pop.
The bandย broke up in 2003, and Harrison focused on his next project,ย Future Clouds and Radar. But sinceย Cotton Mather reunited in 2012ย to play a limited number of shows markingย Kon Tikiโs deluxe release, the band has continued to perform.ย Lately Harrison has been working on a new concept with Cotton Mather: writing songs inspired by his readings of theย I Ching, the ancient book of Chinese wisdom and advice. Although he eventually plans to package them onย two vinyl albums, right nowย Harrison isย releasing the songs individually,ย beginning withย โThe Book of Too Late Changes.โ AND YOU CAN HEAR THE FIRST ONE HERE RIGHT NOW!
Texas Monthly:ย Your band was named for a seventeenthย century Puritan preacher, and your latest project revolves around songs inspired by the words of a Chinese book from the tenth century BC that has been used for eons as a source of wisdom and spiritual guidance. Is there some kind of connection between a witch hunter and a spiritual guidebook?
Robert Harrison:ย Starting in my teens I began experiencing a deep longing for a connection with the divine behindโand withinโthe world I saw. By college I was seriously considering a life in the ministry and decided to major in religious studies. I became especially enamored in those years with Chinese religionsโTaoism in particular. As for theย I Ching, I studied it in college but didnโt delve deep until later.
Iโve always been spiritually curious. I love the story about Woody Guthrie getting admitted to the hospital near the end of his life, when heโs asked by the attending nurse to state his โreligious affiliation,โ and he answered โall.โ When she replied, โNo Mr. Guthrie, please be serious,โ he shouted in anger, โAll or none!โ Well, Iโm an all or none guy myself.
When I started this band my brother suggested the name Cotton Mather and we couldnโt stop laughing. It was his brilliant, perverse tip of the cap to my road not taken. And as for the witch burning characterization, Iโll take this moment to point out that Cotton Mather was an extraordinarily complicated man, hideous and despicable as those events were. Graduated Harvard age eleven. A man of science who first introduced vaccines into the colonies. Someone who likely wrote more in their lifetime than anyone ever! But Salem is to Cotton Mather as Vietnam is to Lyndon Johnson. History is a cruel publicist.
TM:ย Your breakthrough albumย Kon Tikiย was influenced by Chinese philosophy, right?
RH:ย Yes. One night, our drummer Dana Myzer, burst into a Cotton Mather rehearsal going on about some talk and demonstration being given the next evening at a place called The China Health Center. Something from those college years stirred within, and I knew I had to be there. The band attended en masse and joked about it as our โtrip to India.โ What was being offered by this amazing, beautiful, humble master from an age-old tradition of qigong and tai chi was unique, rarified, pure temple training, handed down directly through generations from ancient masters. My music up till then had been so cerebralโour first record was clever, poppy, well-crafted, and smart. My mother had died a couple of years before, just before we were to open on a tour for Hootie and the Blowfish, and I was devastated. Performing night after night I felt so constrained by these clever, emotionally restricted, carefully crafted songs.
But now this training opened up my heart channelโand the music we were makingโthe music that becameย Kon Tikiโwas emotional and spiritual. The album captures the pure joy of our experience. Thatโs the energy ofย Kon Tikiโitโs almost giddy with it. Also, in that class I met a guy who recommended consulting theย I Ching. I began to ask questions of it, though I didnโt really know how to do it yet. Another friend pointed me to a different translation, and I began to understand it, have a rapport with it. Theย I Chingย became an invaluable companion, and guide out of the deep dark forest of life I was temporarily lost in.
TM:ย The way I understand it, theย I Chingย is split into 64 hexagrams, and you consult it by asking a question, then tossing some sticks or coins, and analyzing the results.
RH:ย Right. My theory of how theย I Chingย works is: if you shoot an arrow into the distance, itโll land somewhere, though we donโt see where. If you ask a question to the cosmos, there is an answer somewhere. Theย I Chingย is an ingenious device to give you an answer here and now. I consult it at the beginning of mostย days, to give me an awareness of what to pay attention to.
TM:ย When did you start using it in songwriting?
RH:ย A few years ago I wrote a song titled โCall Me the Witchโ for a woman named Nicole Atkins. I got the idea for the song after consulting theย I Ching, trying to figure out what to write. I wrote a couple more after that, basically using it as a writing aid. Around Christmas last year I got the idea for this project as I wasย recalling a conversation withย a friend, who was also a student of theย I Ching, and I said my favorite movie isย Itโs a Wonderful Life,ย and he supposed this wasย because every condition of theย I Chingย happens in that movie. So I thought, โWhat if I could do that in songs?โ At first, when I would ask, โShould I do a project based around theย I Ching?โย Iโd get a gentle โNo.โ But this spring I was in Europe and realized it was burning in me to do it. I thought it would be gimmicky to do all 64 at once, it would only work if it comes from sincerity. It couldnโt just be, โHey, look at me.โ
TM:ย So, what is your motivation?
RH:ย One, once you have an idea, you realize if you donโt do it now, you never will. And two, when I first started playing music, I was in my twenties, and the script for my songs was furnished for me by the way I was livingโstaying out late, making discoveries, living an edgy life. But the newness begins to diminish as you age. The exploration turns inward. I find this is a valuable way to keep my eyes and ears open and fresh. Also, it gives me a framework for making something with its own agenda. Iโm just along for the ride.
The question was, where do I begin? One problem is you have to convince people youโre worth hearing again. I knew it had to be something explosive. I consulted theย I Chingย and got hexagram 24, โThe Return,โ which is about turning back onto the path. So I thought, Iโll make it about the return of Cotton Mather. I wrote the song, which I call โThe Book of Too Late Changes.โ Itโs an answer to people who might say, โWhat happened to Cotton Mather? You guys got really big and then were gone.โ I thought, This needs the full rock production. Itโs way over the top. Pretty soon I had about seven songs written or in production in my home studio. By summer I had some more.
TM:ย How many have you written now?
RH:ย I think about eighteen, with another five or so simmering. Recently I was wrestling with a relationship that seemed unhealthy for myriad reasons. And theย I Chingย directed me, as I asked for guidance, to hexagram 21 which is called โBiting Throughโ or โEradicating,โ depending on what translation youโre using. The primary theme of this reading is about setting boundaries and administering justice in a relationship by โbiting throughโ to the truth of an unfavorable situation. So I wrote a song. I also recently finished up a track called โNever Be It,โ which is taken from the hexagram 5 called โWaiting.โ
TM:ย How does theย I Chingย actually guide you in writing the songs?
RH:ย Theย I Ching, as I experience it, communicates about what is predominantly occupying my thoughts or feelings at a given time. And as songwriters, that is typically what we end up writing about anyway. So this serves as a companion, directing me toward that which Iโm in some sense most qualified to speak to. Iโm not super literal. Iโm still writing the songs like Robert Harrison would.
TM:ย Will โThe Book of Too Late Changesโ be available on iTunes?
RH:ย We will make it available as a free download in the next few daysย on our website. It will migrate to iTunes eventually. And weโll let everybody know where to find the new tracks as they materialize. Each track will also come with a โcommentaryโ which might be personal, humorous, anecdotal, or all of the above. The commentary for this one is called โMama Sugarlyโs Yum-Yum.โ
TM:ย What will the next song be?
RH:ย Iโm not sure. My aim is to release one per month until we bring out a new Cotton Mather record next summer. This first song will definitely be on it, but Iโll hold the other candidates back until that time. One result of creating in this way is that there is a great deal of range within the collective. So Iโll bring some songs out deemed less suited for the first record. As for the musical personnel, Iโll probably be calling it all Cotton Mather, but you can expect a heavy dose of Future Clouds as well. And more records.
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