Author: roggie

I have joined the Music Forward Scholarship Review Committee

https://hobmusicforward.org/programs/scholarships/

Isn’t this a wonderful scholarship program!?

As part of the House of Blues and Live Nation Entertainment family, Music Forward inspires ambition and creates a momentum to redefine what’s possible for the young people and the industry we serve. Focusing on young people ages 12-22 in underserved communities, we set the stage for success by providing workshops and showcases to inspire the next generation of music industry leaders, innovators, and artists.

Music is a powerful force in people’s lives. It’s a universal language that influences everyone and moves our culture. There is a new generation of leaders whose voices will shape the future. Music Forward empowers this generation to succeed and lead while celebrating the diversity of their voices and viewpoints.

Music Forward kick-starts musical careers through workshops and showcases that connect passions to professions. We open doors to an unmatched, nationwide network of music industry insiders to redefine what’s possible for tomorrow’s innovators and leaders. Both community and industry are transformed by Music Forward experiences bridging opportunity for the music community to become more innovative and inclusive.

In addition to defining pathways to success in the industry for high-school and college-age young people, Music Forward offers music industry professionals a way to give back by connecting with GenZ, sharing insight and experience, and uplifting communities.

Also in service of the music industry, Music Forward in partnership with Live Nation, established the Crew Nation fund- a global relief fund to support live music crews who have been affected by the ongoing COVID-19 pandemic. We are honored to play a role in developing and managing this fund that provides support for these independent workers who are the backbone of the live music industry.

Music Forward is proud to hold the Platinum GuideStar Nonprofit Profile Seal of Transparency, the highest level of recognition for organizational efficiency and transparency offered by the world’s largest source of nonprofit information.

Categories: Uncategorized

Austin Venues Create Safety Guidelines For Local Reopening

Safe in Sound

More than 30 Austin venues have created a public health code-of-conduct and safety program called Safe In Sound to make sure the city is able to reopen safely and responsibly.

Some of the standards and practices outlined in the Safe in Sound program include reorganizing venues to accommodate six-foot distancing between guests when appropriate; Continuing to require masks as necessary; conducting proper employee training for COVID safety; encouraging those exhibiting symptoms to stay home; and committing to sanitation of high-touch areas and availability of hand sanitizer. 
The initiative comes in response to Texas Governor Greg Abbott’s announcement that mandatory mask wearing and capacity restrictions were being ended in the state. Red River Cultural District Executive Director Cody Cowan explained in a statement some of the reasoning behind the creation of this initiative.
“After hearing from countless workers about the new level of fear that this new mandate has instilled upon those who work and perform within the district, I refuse to stand by and not stand up for what I, and many others like me, believe to be right. We hope that these collective actions send a strong message to the public that although we want to reopen, we will only do so in a manner that provides a safe environment for all.
“I strongly urge other local businesses to join this program as we look to better protect the safety of our patrons, performers, and employees.”
Participating venues in the Safe In Sound program include ACL Live at The Moody Theater, Mohawk, Stubb’s Bar-B-Q, The Side Bar, Antone’s, Paramount Theatre, Stateside Theatre, Empire Control Room & Garage and many more.
“The safety of our staff, performers, and patrons is of the utmost importance to our business at all times,” Stephen Sternschein, Founding NIVA Board Member and managing partner of Austin promoter Heard Presents said in a statement. “With that said, our city has made great strides in combating COVID-19 and we are closer than ever to being able to fully reopen safely; however, that day has not yet arrived. The limiting factor is vaccinations – once shots are widely available to everyone in our community, we should be able to fully reopen, but not before. 
“I’m proud to stand with like-minded small business owners in pledging to continue to operate at a reduced capacity and to continue to require masks until the CDC provides clear guidance that this is no longer necessary. As a patron myself, my worst fear is unwittingly walking into an establishment that has chosen to remove the mask and social distancing requirements that are demonstrably effective in reducing the risk of infection. As consumers, we have the power to choose where we spend our time and money, and I urge everyone who feels the same way we do to join us and support the businesses that are committed to keeping us all SAFE IN SOUND.
“I also want to thank Tom DeGeorge (Crowbar, Ybor City Florida and NIVA Precinct Captain) for his inspiration and advice in developing this initiative.”  

Categories: Uncategorized

NOW HIRING: Bartenders, Event Staff and Safety Officers in Austin

Saengerrunde Halle

This is an on-site contract(1099) position in downtown Austin, TX. I am booked infrequent (but increasing now) Spring, Summer and Fall events. I am diligent about the safety of our members, gusts and staff and I will be looking for the same in you. I am a certified COVID-19 Compliance Officer and we will be following this protocol on our events.

I will be interviewing, in-person and very safely on Tuesday, March 9, 2021. Please email your interest and availability, along with your resume to roggie@saengerrunde.org

Categories: Uncategorized

THE SHOW MUST GO ON!

I am honored to share that I will be working as the Event Producer at my favorite venue in Tucson which is my favorite city in the US and where my career began!

Booking and producing safe and exciting performances for this magical space. I am grateful to continue my favorite work as we evolve into Live Events2.0 (the 2021 version). My first event is one month from today! and a BIG (TOP) one with 31 shows! Check it out with this video and come visit us sometime, cold beer/ great tacos but with cactus and mad beautiful sunsets.

I am able to expand the vision of spectacle clients, husband and wife Technical Director and Artistic Director of Flam Chen The MSA Annex is an expansion of the Mercado San Agustín, bringing 13 new locally owned small businesses, many women and minority-owned, for a total of 26 along the Mercado District’s Avenida Del Convento. The shops and eateries at the MSA Annex are housed beautifully inside modified shipping containers. The containers, designed by Tucson Architect Paul Weiner, are architecturally compelling and modern in Nature. The juxtaposition of the Spanish Colonial style Mercado San Agustin and new modern Annex together create a dynamic experience as seen in great cities around the world.

Join RajiWorld as a Live Event Intern (safely)

COVID_lammy

Hello! I am looking for a Tucson based intern to start right away from home. Any in-person work will maintain the highest in COVID19 safety protocols.

The ideal candidate must be highly organized; possess time management skills; have a computer and cell in good working order that they can successfully ZOOM from as needed. They shall have strong attention to detail; be experienced in working with databases to coordinate events; do well in a changing and multi-tasking environment with numerous deadlines; be able to handle difficult customer situations; can adapt to changes quickly and efficiently; and possess excellent interpersonal, written and oral communication skills. 

This position is for college credit, future paid employment or both.

Please send your cover letter and resume to roggie@rajiworld.com

Good Luck!

BLACK FRET BALL 2020

Virtual Black Fret Ball this Saturday, December 12th, at 7pm CT streaming on BlackFret.org! There’ll be performances from all of our 2020 nominees and *$160,000* in grants given to them. Why not get dressed up and have some fun with it from home? ⧓ ?

We can reminisce about shows from the past or we can make the most of what we have now (which is all we really ever have anyway:)

A Virtual Awards Ceremony is a Great Morale Booster

Let’s dress up and toast our peers from the safety and comfort of our home? We’re all prisoners to the couch these days. We all miss each other! If we have to be apart, let’s make an effort to make it fun.

I have so much respect for this year’s nominees. I have heard from many of them and they each have creative ideas on staying present and vibrant in this current space we share. Tune in and learn more.

Our shared vision is to build an endowed institution capable of sustaining over a million dollars a year in grants to the finest musicians in cities around the world. To achieve that we’re looking for a limited group of dedicated local music fans to become members.

Over the next decade we will fund hundreds of exceptional bands to create thousands of new songs while building a new institution capable of supporting the sustained artistic, cultural and economic growth of our cities (currently Austin and Seattle) and the artists who call our cities home. We hope you will join us in building a legacy of beautiful music.

AKINA DELIVERS “BROKE”

Fans of the one-of-a-kind, pure-voiced DIVA (in the good way), Akina Adderley, wait no longer for the KUTX Song of the Day

October 13 was a big day for the song, it was also the Single Spotlight on Austin 360: 
Austin360 On The Record: Singles Spotlight with Akina Adderley, Folk Uke, Willie Nelson, more…

Austin360 On The Record is a weekly roundup of new, recent and upcoming releases by local and Austin-associated recording artists.

SINGLES SPOTLIGHT- With the Nov. 3 election looming, our monthly singles spotlight not surprisingly includes several sociopolitically oriented songs.

Akina Adderley, “Broke.” Adderley gets lots of work locally as a backing singer — she taped “Austin City Limits” last week as part of Jackie Venson’s band — and has recorded in recent years with the band Nori, but this is the first song she’s released under her own name since 2012. She says it’s “a call to action for people to acknowledge their complicity in systems of oppression and their moral responsibility to actively engage in the process of dismantling injustice.” The single will be released Monday; here’s a live version of the tune from a 2019 Black Fret Concert on the Long Center lawn


BLACK FRET SEATTLE 2020!!

Black Fret believes local music deserves our community’s support.

Like the opera, symphony, ballet or theatre, our local music is art. And as art, Black Fret believes our music is worthy of support from those whose lives are touched by it.

Black Fret provides those who love their local music with the opportunity to become a Patron of Local Music.

Together our Members, Advisory Board, volunteers and musicians are creating a vibrant community to support local music, now in both Austin, Texas and Seattle, Washington.

BACK TO SCHOOL SEASON

production workshop

The pandemic has reached every corner of our lives and although it cancelled out my dreamy summer plans, it also gave me the gift of so much time alone that I have had the luxury of “going back to school” myself and safely.

I have taken an incredible COVID-19 tracing course online via Johns Hopkins and brushed up on my spreadsheets and Google Suite and my favorite, Festival and Event Production which was socially -distanced and very (sanitized) hands on. I can’t wait to share (not spread) my new knowledge on your next event!!! (PS a few coming soon with ALL of the attention to my fave subject SAEFTY!)

BLACK LIVES MATTER!

RajiWorld has always stood proudly in the belief that BLACK LIVES MATTER. We have worked with a racially diverse roster since our beginnings and followed the lead of our clients on how to demonstrate this core value. We hope that you feel the same way.

Black Lives Matter began as a call to action in response to state-sanctioned violence and anti-Black racism. Our intention from the very beginning was to connect Black people from all over the world who have a shared desire for justice to act together in their communities. The impetus for that commitment was, and still is, the rampant and deliberate violence inflicted on us by the state.

Enraged by the death of Trayvon Martin and the subsequent acquittal of his killer, George Zimmerman, and inspired by the 31-day takeover of the Florida State Capitol by POWER U and the Dream Defenders, we took to the streets. A year later, we set out together on the Black Lives Matter Freedom Ride to Ferguson, in search of justice for Mike Brown and all of those who have been torn apart by state-sanctioned violence and anti-Black racism. Forever changed, we returned home and began building the infrastructure for the Black Lives Matter Global Network, which, even in its infancy, has become a political home for many.

Ferguson helped to catalyze a movement to which we’ve all helped give life. Organizers who call this network home have ousted anti-Black politicians, won critical legislation to benefit Black lives, and changed the terms of the debate on Blackness around the world. Through movement and relationship building, we have also helped catalyze other movements and shifted culture with an eye toward the dangerous impacts of anti-Blackness.

These are the results of our collective efforts.

#THESHOWMUSTBEPAUSED

On Tuesday 2 June, 2020 RajiWorld LLC is wholeheartedly supporting #TheShowMustBePaused. We will not be conducting any business in observance of Black Out Tuesday. It’s time to pause, reflect, learn and act for long term change. Enough is enough. #BlackLivesMatter

“In a racist society it is not enough to be non-racist, we must be anti-racist.”

(Angela Y. Davis)

Black Lives Matter

Witnessing the tragic murder of George Floyd by a Minneapolis police officer under our very eyes has been paralyzing to say the least. As uncomfortable and numbing as this tragic event is, it is our responsibility to speak out. It’s on all of us.

There is no gender justice until there is racial justice. No one is free until everyone is free. Staying silent is not an option; it is a passive stamp of approval for racist behavior.

We stand in solidarity with the black, brown and indigenous lives that have been lost and voices that have been silenced in the US and beyond. On this particular occasion, we stand with the black community who has been a victim of overt and covert forms of oppression for hundreds of years. We stand in solidarity with #GeorgeFloyd #AhmaudArbery #BreonnaTaylor #BellyMujinga #RegisKorchinskiPaquet #TonyMcDade and the many before them.

We urge all members and allies of the shesaid.so community to take a proactive stand against racism and speak out. If that’s all you can do at the moment, please speak to your friends and relatives, express your outrage and provide resources so they can engage in further. If you can take the extra step, please donate. If you live in the US, call your local authorities to take a stance. Together we can make a difference. Staying silent is not an option.

Below is a list of resources anyone of any gender or ethnicity can use to familiarize themselves further with this urgent issue, including mental health resources and ways to support social and racial justice.

Funds, petitions and collectives for taking action:

George Floyd Memorial Fund

Donate to the Minnesota Freedom Fund

Sign the Color of Change Petition

Sign the Change.org Petition

Sign the NAACP Petition

Donate to Reclaim the Block

Black Visions Collective website

Find your Black Lives Matter chapter [USA + Canada]

Black Lives Matter UK

An extensive list of Anti Racism Resources

Mental health resources:

Talk Space infographic: How To Cope With Traumatic Racial Events

Liberate Meditation– Meditation for Black, Indigenous and People of Colour

Therapy For Black Girls Podcast

Self Care Tops For Black People Struggling From A Painful Week [Vice article]

For white people wondering how to engage in anti-racism:

1. Pass the mic: Join the conversation but be careful not to centre yourself within it.

2. Use your white privilege to ensure Black, Brown and Indigenous voices are heard.

3. Endeavor to be color-conscious, rather than color-blind.

Further resources on being an ally:

Guide to Allyship

Infographic guide on white privilege

Your Guide to Bystander Intervention

For further reading about intersectionality, read; The Intersectionality Wars

Courtney Ahn Design — A guide to white privilege

Books on the subject of racism in the US (recommended by Yasmin Lajoie, shesaid.so Intersectionality Chair)

White Fragility: Why It’s So Hard For White People To Talk About Racism by Robin DiAngelo

The New Jim Crow: Mass Incarceration in the Age of Colorblindnessby Michelle Alexander

How to Be an Antiracist by Ibram X. Kendi

So You Want to Talk About Race by Ijeoma Oluo

How To Be Less Stupid About Race: On Racism, White Supremacy, and the Racial Divide by Crystal M. Fleming

Other recommended authors: Audre Lorde, bell hooksAngela Y. DavisMaya Angelou or Toni Morrison.

From a British perspective:

Natives: Race & Class in the Ruins of Empire by Akala

Why I’m No Longer Talking to White People About Race by Reni Eddo-Lodge

The Metro newspaper runs a series called ‘The State of Racism’ on race in the UK today, examples from which you can read below:

The way you define racism may stop you from seeing it.

Institutional racism is more harmful than individual racism.

Current articles on US racism:

75 Things White People Can Do for Racial Justice

Who Gets to Be Afraid in America?

The Coronavirus Was an Emergency Until Trump Found Out Who Was Dying

Podcasts:

The New York Times — 1619 on how slavery transformed America

NPR’s Code Switch


“WHAT ABOUT AGENTS AND PROMOTERS?”

concert

I have been an agent for a long, long time but thankfully for even longer, I have been an agent of change. It could be the EST  of my youth or my fascination with reactions (Chemical and otherwise) or all of the time alone in my work but I embrace, adore and welcome change.

I have streamlined my agency over the past 5 years to include mostly corporate gigs, house concerts, galas and festivals with very little touring so although we did not loose tours we did have 100% of gigs cancel the second week in March. A few paid which will be appreciated for all time as this quarantine, virus and the way those around us react will certainly go down in history and eventually be studied.

the laminate I don now 😉 made by my new festival worker bee friend Conor Rayder.

Over the past 10 weeks I have participated in and listened to many industry forums and roundtables on WHAT NOW?! I am pleased to watch the coalitions made up of forma rivals get strong and unified, pleased to hear the demand for live music from fans and very proud of musicians themselves for learning new technology and performing in a way that shows it all. No one has asked me, but if they did I would say I prefer the mystery and magic of planning, anticipating and being present for a concert. It is a one of kind living breathing experience that nothing will duplicate it. But I just kept three very special and unique clients who are also about quality over quantity.

I want to share a different point of view that I read and respect this week. If this had happened in the days of my full touring roster I would have jumped on ways to make the most of this climate.

How To Work With Agents And Promoters In A Live Streaming World

Musicians and the entire music industry are scrambling to understand the wild wild west of live streaming. As each finds their own path forward, it’s important that they include all of the key players that drive live music.

By Melissa Garcia of Collective Entertainment

From day one of this pandemic, I, like many artist managers out there, have been working almost nonstop to navigate around the changes and uncertainty that lie ahead for our artists. The roller coaster ride that has been the last few months was stressful, to say the least. And while all this uncertainty leads to stress, anxiety, and maybe even depression, our job is to push through to find solutions not only for our artists but also for ourselves.

On the one hand, it can feel almost like doomsday. On the other, I think we can agree that we’re lucky in that our access to technology, and most importantly, to the fans, is unprecedented within our industry. I’m a firm believer that the music industry is resilient. It’ll change and morph and evolve. We’re seeing it happen as we speak. Numerous artists are resorting to live streaming and connecting with fans on platforms they’ve never used before (e.g. Twitch, TikTok, StageIt, NoonChorus, etc.). Some artists, like my client, Fox Stevenson, have seen growth in streaming due to an increase in engagement online.

Even though we’re finding ways for artists to keep moving forward and maintain their careers, the live industry is left behind. We’re seeing reputable venues shutting down (Great Scott in Boston for example). The main revenue stream for our agency partners has all but diminished.

The other day one of my client’s agents emailed me asking my thoughts on how agents can play a role in the live streaming world. It was a great question and something that we all need to really talk about.

“The live industry is getting left behind and it’s important that we work together to come up with solutions.”

An agent’s main role is to work with promoters, venues, and festivals to book gigs. For their work, they receive a commission based on the artist’s pay. So if the only shows that are happening are live streams, what does that mean for them? If an artist can put on their own live stream concert, where can an agent or even a promoter fit into this equation?

Is there money in streaming?

Absolutely. Fox Stevenson streams regularly on Twitch and receives direct contributions from fans. (The highest single donation he received was $3,000 USD from a fan!). Another client, TORRES, streamed live on Instagram and promoted her PayPal, Venmo, and Patreon accounts.

Fans are spending money on their favorite artists. They’re buying merch, subscribing to Patreon, and tuning into these streams.

We’re also seeing artists doing ticketed live streams. NoonChorus, for example, makes contributing to artists seamless. Not only can you buy a ticket, but links to the artist’s PayPal, Venmo, and any additional links are right on the streaming page.

Live streaming is an opportunity to not only create a revenue stream, but to offer: VIP ticket packages to a limited number of fans where they can request songs or ask questions, limited edition merch, listening parties, and more.

The fact of the matter is that live streaming, whether it’s a house show or Q&A with fans, is one of the best ways artists can stay engaged with their fanbase.

Live Music: Helping create new fans one gig at a time

I never considered myself a fan of Twenty One Pilots. Then I saw them at SXSW in 2012 and my mind was blown. I decided to see them again that week, and saw them 3 more times in NYC. Live concerts have always been a great way to gain new fans. Perform at a festival to an audience of thousands of people who have never seen you play. Open for a band that has listeners you want to reach. Join a friend at a local venue to see an artist you’ve never heard of before. Now you’re a fan.

Concerts have this innate way of creating a special fan experience and is easily one of the best ways to convert someone into a fan.

How do we make new fans from streaming?

I’m curious to know what other artist teams are seeing, but it seems that for most streamed shows, artists are reaching audiences that are already following them.

The Internet is oversaturated with almost every single artist doing a live stream. There’s a lot of competition. Some artists are limited as far as sound quality is concerned when it comes to a live stream. Moreover, unless you live together, bands are separated due to social distancing and are unable to perform together.

“there are ways artists can make new fans right now”

Fortunately, there are ways artists can make new fans right now. You can “open” for another artist and then stick around the chatroom to engage with the fans as you watch the “headliner” performer. You can do a live Q&A with each other or with a different member of your band where fans can also take part in the conversation. An artist can also make a surprise appearance on someone else’s stream, which is always a great way to get fans excited and curious.

Beyond these ideas, in order for artists to reach new listeners, we need to come together and collaborate not just within the industry, but also beyond.

That being said, I’ve put together some ideas that agents can start exploring in order to find revenue streams not only for their artists, but for themselves. While it’s easy to cut out the middle person by artists organizing live streams themselves, it should not deter an agent from seeking out other opportunities that will otherwise be missed by artist teams. That is essentially what they bring to the table when helping book live shows.

Idea #1: Curated Virtual Events

Trivecta recently performed for an event called Dreamworld, that reached 5mil+ viewers over 3 days. The fundraising event raised $45k for charity. Trivecta alone reached 7k+ people with his performance.

Although this was an unpaid event, the potential for him to reach an audience beyond his current following is invaluable. Since the pandemic, he’s participated in 3 virtual festivals. These performances plus his efforts to engage with fans have resulted in a steady growth of new fans across his social media platforms.

We’ll continue to see more and more virtual festivals curated by large and small entities as the summer progresses.

Idea #2: Branded Partnerships

This is something I haven’t seen as often as I’d expect, especially considering how festivals are turning to online streaming and seeing success with it.

I could see a brand taking more of a promoter approach in a lot of ways. Whether a brand or a promoter, I’d like to see what else they can bring to the table in terms of ensuring it’s a high quality stream. We’re mostly seeing people in their homes, but I think what we’re lacking is a makeshift stage with good lighting or some other efforts in terms of production. Or even adding visual effects in the background and multiple camera angles.

TORRES recently did a live stream on NoonChorus and with the help of her girlfriend and videographer friend, was able to create some DIY stage designs (mood lighting with candles and black lights) as well as costume changes. The result was a unique streaming experience that the fans enjoyed.

On a different level, we’re seeing charities and organizations hold events by curating a list of artists to perform. We’re also seeing entities such as Amazon Music partnering with artists to curate events and broadcast them on the company’s Twitch.

I’d love to see smaller companies, those with niche markets and a strong online presence, to consider partnering with musicians whether to put on their own version of an online event or to help promote their products by offering affiliate links or discounts that financially incentivizes artists. Not only does the company tap into these artists’ fan bases, but the artists are also exposed to an audience beyond their current fans.

Idea #3: Let promoters and venues do what they do best – PROMOTE!

First, why should an artist give up any of their ticket sales when they can cut the middle person out of the equation and self-promote?

It comes down to what new fans promoters or outside opportunities can bring to the table (whether that’s partnering with a venue or a brand that can expand exposure).

How do we connect this with the agency world in a way that all parties benefit? And how do we connect with promoters to maximize reach & sales in specific markets? (This was one of the questions I received in speaking to a client’s agent.)

When working on a local level, it makes sense to work with a promoter/venue if there’s an upcoming date with the artist on the books or if you know there will be one eventually (suffice it to say, who knows when live shows are making a comeback). That way you can use the live stream to also promote the concert.

If you’re working with multiple promoters to push one ticketed live stream, use affiliate links or promo codes to track sales. That way, an artist can justify giving a split of the profits with the promoter. And the artist can take advantage of the resources the promoter brings to the table.

Possible Solutions for Agents

With all these ideas in mind (and I’m sure there are plenty more this article doesn’t cover), an agent will have to evolve their role more to continue adding value to an artist’s career.

Agents can use these various ideas, mold them how they see will fit into an artist’s overall strategy, and find opportunities beyond what the artist or their team can bring to the table. They can actively seek out brand partnerships. They can help leverage their relationship with promoters to maximize exposure and sales for ticketed events.

Regardless, agencies and the live industry are vital facets to the music world. Let’s find ways to make sure they aren’t left behind.


THANK YOU IN ADVANCE, We are grateful

The coronavirus pandemic has left countless members of the music community facing an uncertain future, as festivals and tours are canceled, studio sessions are called off and business travel is restricted. To help music professionals and their loved ones navigate the crisis, Billboard has compiled a list of resources at both the national and state levels, including more than four dozen relief funds.

Texas:

Austin Community Foundation’s Stand With Austin Fund* Established in partnership with the Entrepreneurs Foundation, the fund was set up to support nonprofits assisting vulnerable individuals and small businesses affected by SXSW’s cancellation.

Austin Texas Musicians
The musician advocacy nonprofit formed by local artist, beloved friend, former RajiWorld client (and staff because that is how our dear little music town works), Nakia Reynoso is working to secure relief funds and resources for musicians. In the meantime, it has created a continually-updated resource list.

Banding Together ATX (GoFundMe)*
This fund was set up by the Red River Cultural District alliance specifically to support those in the Austin live music community who have been economically impacted by the cancellation of South By Southwest. That includes venues, artists, hospitality workers and others who rely on annual income from SXSW to make ends meet — those who fall under that category, may apply for funds here.

Housing Opportunities For Musicians And Entertainers
HOME provides financial housing assistance for needy aging musicians in Austin with grant assistance and other support, including referrals to additional available resources.

I Lost My Gig*
Designed to benefit Austin locals who lost work due to SXSW’s cancellation, I Lost My Gig is currently soliciting donations. As of Sunday (March 15), it had already received over 750 submissions representing over $4.2 million in lost income.

Health Alliance for Austin Musicians
HAAM provides access to affordable healthcare for low-income musicians living in Austin.

SIMS Foundation
Locals struggling to mentally and emotionally cope with the impact of COVID-19 may contact the SIMS Foundation, which provides access to mental health and substance use recovery services for Central Texas musicians, music industry professionals and their dependent family members.

Small Business Administration Economic Injury Disaster Loan Program
This centralized guide was created for small businesses and nonprofits in Texas who have been impacted by the coronavirus pandemic and are looking to apply for SBA loans. Those who have suffered “substantial economic injury” from COVID-19 may be eligible for economic injury disaster loans of up to $2 million.

Texas Music Office
Though the office isn’t offering benefits itself, it can help music workers affected by the pandemic apply for the state’s disaster unemployment assistance, which extends unemployment benefits to those who don’t traditionally qualify.

Texas Workforce Commission
Texas residents can submit an application for unemployment benefits here.

Workforce Solutions Capital Area
WFS, the nonprofit governing body for the regional workforce, is offering layoff support both for businesses and workers in light of the coronavirus outbreak.

National:

The Actors Fund
The Actors Fund offers a variety of services for entertainment workers, including those in the music industry. Services include emergency financial assistance, affordable housing, health care and insurance counseling, senior care and secondary career development.

American Association of Independent Music
A2IM is surveying indie music companies about how the coronavirus pandemic is disrupting their businesses. The results will inform the organization’s discussions with the New York Mayor’s Office of Media and Entertainment, as well as its investigations of federal assistance programs.

American Federation of Musicians
The AFM is calling on Congress to provide immediate economic relief on behalf of musicians and other working people in the midst of the crisis, including expanded unemployment benefits and a moratorium on evictions, foreclosures and utility shut-offs. The organization has a resource page providing more information. Additionally, disabled AFM members can apply for financial aid through its longstanding Petrillo Memorial Fund.

American Guild of Musical Artists Relief Fund
Any AGMA member in good standing is invited to apply for financial assistance under the AGMA Relief Fund, which has temporarily doubled the amount of assistance available to those in need during the coronavirus pandemic.

Americans for the Arts Coronavirus Survey
This five-minute survey was created to collection information on the financial and human impacts of the pandemic on arts and cultural organizations.

Artist Relief
A coalition of national arts grantmakers (including Academy of American Poets, Artadia, Creative Capital, Foundation for Contemporary Arts, MAP Fund, National YoungArts Foundation and United States Artists) launched this $10 million relief fund, which will provide $5,000 grants to artists facing “dire financial emergencies” due to the pandemic. The coalition has also joined forces with Americans for the Arts to co-launch an impact survey to better identify the needs of artists and creative workers.

Artist Relief Project
Anyone pursuing the arts as a career (any discipline, any level of experience) can request financial support from the Artist Relief Project, which will provide applicants on a first-come, first-serve basis with a one-time emergency stipend of $200 and free resources and support to pursue alternative economic opportunities. The Artist Relief Project is an initiative by Artly World Nonprofit.  It is a registered nonprofit based in Austin, with the mission to empower children, families and communities through creative arts initiatives and opportunities.

Artist Relief Tree*
Anyone who is an artist can request funds from the Artist Relief Tree, which plans to fulfill every request with a flat $250 on a first-come-first-serve basis.The fund is currently not accepting new requests until it can secure more funding, but if you would like to be informed if and when the opportunity becomes available again, click here.

ASCAP Music Unites Us*
Performance-rights organization ASCAP has launched a site to help its songwriter, composer and music publisher members stay connected and financially stable during this uncertain time. It includes information on how to receive ASCAP royalties through direct deposit, an online works registration application, access to free mental health services for ASCAP members and more.

Audio Assemble*
Music education hub Audio Assemble has put together a list of online remote opportunities for U.S.-based musicians during the COVID-19 outbreak, including both short-term and long-term job opportunities. It is also raising money for its first live streaming music festival, PLUGGED IN, set for April 8-10. Musicians can apply for paid opportunities to perform during the livestream here.

Backline
Backline was established to connect music industry professionals and their families with mental health and wellness providers. In the wake of the coronavirus pandemic, the organization has established a virtual support groupthat plans to meet regularly via the Zoom app.

Blues Foundation*
The Blues Foundation launched an emergency relief fund for full-time blues musicians whose revenue streams have been severely diminished by the pandemic. Find out how to request funding here. Meanwhile, the foundation’s longstanding HART Fund also helps underinsured or uninsured blues musicians and their families in financial need due to a range of health concerns.

Convertkit Creator Fund*
What began as a $50,000 fund for active creators experiencing financial hardship due to COVID-19 has now reached $154,000 in funding. The fund covers up to $500 per creator to help cover medical, childcare, housing or grocery needs. As of March 18, the fund has received more than 6,000 applications, and the website notes, “Our current fund will be exhausted well before we can get to everyone.”

COVID-19 Music Production Response Group*
A Facebook group meant as an “open forum for constructive debate about the effects of COVID-19 on music production industry professionals,” according to administrators. Its nearly 4,000 members (as of March 18) are sharing news updates, suggested actions, job opportunities and other resources.

COVID-19 Mutual Aid Fund for LGBTQI+ BIPOC Folks (GoFundMe)*
This more than $70,000 fund prioritizes LGBTQI+, non-binary, gender fluid and gender non-conforming people of color whose livelihoods have been affected by the coronavirus pandemic. The first round of funding closed on March 17, but organizers say they plan to continue to raise funds through mid-April.

Crew Nation*
Live Nation has donated an initial $5 million to launch this global relief fund for live music crews, and will match the next $5 million in donations as well. Check back here for the funding application to come.

Equal Sound Corona Relief Fund*
Equal Sound, an organization that strives to break down traditional genre boundaries through events and advocacy, is inviting musicians who have lost income due to the pandemic to apply for funds. Applicants must provide proof they had a confirmed concert cancelled over the coronavirus to receive the money.

Facebook Small Business Grants Program*
In response to the pandemic, Facebook is offering $100 million in cash grants and ad credits for up to 30,000 eligible small businesses around the world, including music and live events businesses. More details to come (you can sign up for updates here). Facebook also has a new Business Resource Hub to help small businesses prepare for and manage disruptions like COVID-19.

Foundation for Contemporary Arts*
The New York-based foundation has created a temporary fund for experimental artists of all disciplines who have been adversely impacted by the pandemic. It is disbursing one-time $1,000 grants to artists who have had performances canceled or postponed. Apply here.

Freelance Coop Emergency Fund*
The Freelance Coop, which connects creative freelancers with business resources, created an emergency fund for freelancers adversely affected by the pandemic. Examples of funding usage are unexpected childcare costs due to school closures, client cancellations, and medical expenses due to the virus itself. As of March 18, the fund had $35,279 in requests and $5,299.69 raised, and is continuing to call for donations to keep up with demand.

Freelancers Relief Fund*
The Freelancers Union has set up a relief fund for freelance workers through its nonprofit subsidiary Working Today. The fund, which is accepting donations now, will provide grants of up to $1,000 per household to freelancers experiencing economic hardship as a result of the pandemic. Applications open on April 2.

Gospel Music Trust Fund
Individuals working in the gospel music field can submit a request for financial assistance to the Gospel Music Trust Fund, which grants funding in the event “of an emergency or major catastrophe, terminal or severe illness,” according to their website.

HealthCare.gov Special Enrollment
Though no emergency special enrollment period has officially been instituted by the federal health insurance exchange due to the coronavirus outbreak, uninsured people are being invited to inquire about their eligibility for a special enrollment in light of the virus.

Independent Venue Week*
Non-profit organization Independent Venue Week has compiled a list of indie music venues that have launched GoFundMe and other fundraising campaigns to stay afloat during the nation-wide closures.

International Bluegrass Music Association’s BlueGrass Trust Fund
Current or former bluegrass music professionals can apply here for financial grants and loans, which are generally between $500 and $5,000. The association has also created a coronavirus-specific resource page.

Jazz Foundation of America Musicians’ Emergency Fund
This fund offers financial support, housing assistance and pro bono medical care for musicians who have made a living playing blues, jazz and roots music.

Larrosa Music Group Financing Program*
Larrosa Music Group has set up a special financing program for music professionals affected by the pandemic. The maximum term is one year for a maximum amount of $20,000, with interest rates ranging from 7.5 to 10 percent. The program is open to session and live musicians; anyone who collects royalties through PROs or distribution companies; and agencies, producers, record labels and publishers who manage musicians and can provide proof of cancellations of shows, recordings or other remunerated activity as well as verify income of at least $2,500 in the last 12 months. Applications are open until May 1. (Note that the web page is in Spanish but can be translated.)

League of American Orchestras
America’s only national service organization devoted solely to orchestras, the League has set up a landing page of resources to assist affected orchestra workers during the pandemic, including advocacy campaigns, fundraising resources, a discussion group and more.

Leveler.info*
The “peer-to-peer wealth distribution” service is a tool for salaried workers to donate funds across a database of freelancers, service industry and gig economy workers who are impacted by coronavirus health and safety restrictions.

Missed Tour*
Artists and bands who have been displaced from touring due to the pandemic can list their merchandise on this site to help offset lost revenue — with zero charges or fees. Apply to be added to the site here.

MusiCares*
The Recording Academy and its charitable foundation MusiCares have committed $2 million in total to a COVID-19 Relief Fund, established to assist those in the music community who have been affected by the pandemic. People can donate and apply for assistance by navigating to the fund’s official web page.

Music Health Alliance
The Nashville-based Music Health Alliance provides healthcare support services to uninsured members of the music industry.

Musicians Foundation
The New York-based nonprofit established a new emergency grant program in response to the pandemic, offering all eligible applicants up to $200 each. After receiving an “immense volume of applications,” the foundation placed a temporary hold on all applications on March 13. Check this page for updates.

Music Maker Relief Foundation
The foundation, which provides ongoing support to American artists 55 and older who live in chronic poverty, also gives out emergency grants to artists in crisis. It is now soliciting donations to ensure the stability of vulnerable elderly musicians during the pandemic.

#MusicUnited
Music workers in need of financial help during the crisis can apply for assistance at this volunteer-run website, which was set up to facilitate peer-to-peer giving. Applications are reviewed and posted within 24 hours, and 100% of all donations go directly to the affected person. Musicians are also urged to list their virtual concerts on the site.

New Music Solidarity Fund*
This artist-led initiative is granting emergency funding to freelance musicians “working in new creative, experimental or improvised music” who have been adversely impacted by the coronavirus crisis. The fund has already raised more than $130,000 and beginning on March 31, eligible artists may apply for grants of up to $500.

NOMAD Fundraiser for the Touring Crew (GoFundMe)*
Touring manager Frank Fanelli is aiming to raise $20,000 for touring crew members and roadies who have lost income due to gig cancellations and postponements. Donations close at the end of March.

Patreon What the Fund Grant Program
The crowd-funding platform has set up a grant program to benefit select artists who have been impacted by the coronavirus. Patreon itself kickstarted the fund by donating $10,000 and is currently accepting contributions. Grant recipients will be chosen by a board of fellow creators.

Pinetop Perkins Foundation’s Assistance League
PAL provides financial assistance to elderly musicians for medical and living expenses. Preference is given to blues artists, though musicians in other genres may be eligible depending on available funds.

PLUS1 Covid-19 Relief Fund*
In response to the devastating COVID-19 outbreak, PLUS1 has launched a PLUS1 COVID-19 Relief Fund to coordinate our efforts to support those in our community most at risk from the pandemic. PLUS1 is working with leading non-profit organizations and several local organizations around the country to provide immediate assistance to musicians and music industry workers for medical expenses, lodging, clothing, food and other vital living expenses to those impacted due to sickness or loss of work.

Record Union Wellness Starter Pack
In coordination with industry experts, the digital music distributor created this “toolbox for wellbeing” for overwhelmed music professionals. Thought not specific to the coronavirus, the Wellness Starter Pack includes guides to mindfulness, nutrition, positivity, sleep and exercise that can help lower stress, anxiety and depression levels during the shutdown.

SAG-AFTRA COVID-19 Disaster Fund*
SAG-AFTRA members who are in an emergency financial crisis related to coronavirus may request assistance to cover basic expenses like rent, mortgage, utilities and medical bills. To apply to the fund, members must have paid their dues through October 2019.

Small Business Administration Economic Injury Disaster Loan Program
The Small Business Administration has designated COVID-19 as a qualifying event for economic injury disaster loans. However, you must be located in a “declared disaster area” to apply for assistance. Check if your state qualifies here.

Soundfly
Online music course hub Soundfly has put together a free Guide to Learning Things Effectively Online for musicians in quarantine who want to continue learning or practicing skills virtually.

SoundGirls Coronavirus Relief Fund*
SoundGirls, an organization which supports women working in professional audio and music production, is offering $100 gift cards to live event production workers who have been put out of work due to the pandemic.

Sound Royalties*
In light of the crisis, music finance firm Sound Royalties is allocating $20 million to offer a no-cost royalty advance funding option through April 16. Songwriters, performing artists, producers and other creators with royalty income can apply for cash advances on a one-year repayment schedule, cost-free.

Sweet Relief COVID-19 Fund*
Sweet Relief has established a donor-directed fund to be used specifically for musicians and music industry workers affected by the coronavirus. Funds will go towards medical expenses, lodging, clothing, food and other vital living expenses for those who get sick or lose work due to the pandemic.

Tour Support*
Tour Support, a mental health nonprofit for the live music industry, is offering independent touring contractors whose tours have been postponed or cancelled one month of free online therapy through Better Help (apply here). In addition, Shading the Limelight is offering the Tour Support community two free weeks (March 17–28) of emotional wellness coaching (email shajjar@shadingthelimelight.com for an appointment). Check the Tour Support Twitter for more updates to come.

Viral Music — Because Kindness is Contagious*
Independent musicians are invited to use this more than 21,000-member Facebook support group to connect with music fans. “Use this joint to post links to your merch store, online shows, Patreon, or online music lessons,” organizers write. “If you’ve had a gig cancelled, post the city and your Venmo/PayPal — many of us would love to pass along our ticket refunds to you.”

WHAT DO THIEVES AND VIPS HAVE IN COMMON?

The answer is ME! In our ever-evolving world I continue to hold what is dear to me close like health and family and friends and I support the businesses I have faith in due to their practices, people, politics and protocols during this time and always.

I lost all of my brand new work with Circuit of The America’s as well as all of my client’s bookings for weddings, corporate events, festivals and weekly local shows in about 48 hours last month (as did so many in our industry and now most industries).

My mother and those who know me well have often joked about my ability to walk the line between high-society and nature, manual labor and red carpets and they are right. My arsenal is varied and unique and my greatest survival skill. So, while we wait and see where we land as a world with respect to the economy and entertainment business, the arts and being social, I am taking care as I do which includes plenty of happy thoughts, deep conversations, healthy homemade food , sleep, dog-walks and my ever-present Thieves Oil products. To make a little extra money to cover all I have lost and to share with my friends all over the planet the product I have used for decades I have joined the Young Living family.

If you have ever worked an event with me or attended one of my VIP backstages then you already know how I adore and trust Thieves as it is the basis for the sprays I make! Now you can purchase your own along with the entire and vast healthy line of essential oils from Young Living.. I am available to answer questions and take your orders at any time as I really hope that my friends in every corner of the globe can turn to something they feel good about using and sharing with their families and friends.

Be safe, be hopeful, have faith and please accept a big virtual hug from me!

Love, Roggie

MUSICFEST 2020

The Official 2020 MusicFest Lineup

With 200+ hours of live music, The MusicFest boasts a stunning roster that includes both legends and rising talents alike.

Warren Hood returns to one of our favorite ways to kick off the year!

The MusicFest draws thousands of ski-lovin’, music-lovin’ folks to the snow swept peaks of Colorado each January.

The largest group ski trip of its kind in the nation, the MusicFest brings the finest Texas and Americana music to the world-class ski resort of Steamboat, Colorado for a week full of sport and song. The festival boasts a stunning roster that includes both legends and rising talents alike.

Dickson Productions has over 30 years of experience as the premier travel package provider. With Dickson Productions working on your behalf, you can hit the slopes and also get tons of music favorites at wholesale prices. All lodging accommodations for the MusicFest are located ski-in/ski-out or within minutes of the mountain base, and participants personally choose all the options.

Want to walk out the front door onto the slopes? A hot tub on the back porch? A slope side luxury suite or a penthouse? A MusicFest stage in your lodge or steps away? No problem – it’s all part of building your exclusive MusicFest package, the vacation of a lifetime. There’s every level to choose from to satisfy your taste in lodging, music, and price for the ultimate Rocky Mountain vacation experience.

GET GREY!!!!!

Available now for music, voice, autograph, comedy, lecture and emcee appearances, Grey Griffin (born Erin Grey Van Oosbree; August 24, 1973) is an American voice actress, singer-songwriter, game show host and comedienne. DeLisle has had many roles in television programs, most notably as the current voice of Daphne Blake in the Scooby-Doo! franchise and Mandy in The Grim Adventures of Billy and Mandy. DeLisle has also had voice acting roles in many computer and video games, such as Yangja and Yoshen in Escape from Monkey Island, numerous characters in Baldur’s Gate II: Shadows of AmnTomb Raider: Anniversary and Tomb Raider: Underworld as Jacqueline Natla and several Star Wars games. In addition to her numerous English-speaking roles, she also spoke Japanese as Yumi in Hi Hi Puffy AmiYumi. She also voiced Puppycorn in Unikitty! and is now the current voice of Martin Prince and the twins Sherri and Terri on The Simpsons follwing Russi Taylor‘s death in 2019.

For Nickelodeon, she has done several notable voice roles such as Princess Azula in Avatar: The Last Airbender. On Avatar, she also voiced KyaTa Min, and Actress Katara. She has also voiced Todd McNulty and Reptar on RugratsVicky the evil babysitter in segments of Oh Yeah! Cartoons that would lead to The Fairly OddParents, where she would also voice her little sister TootiePrincipal WaxelplaxVeronicaChadThe Tooth Fairy, A.J.’s mom, Happy Peppy BettyMolly, and Swizzle. She also voiced Brandon Higsby on As Told By GingerMombot and Elke Elkberg on The Adventures of Jimmy Neutron: Boy GeniusLettaLenny and the Exo-skin on My Life as a Teenage RobotSam Manson on Danny PhantomDulce on Angelica and Susie’s Pre-School DazeFrida Suárez on El Tigre: The Adventures of Manny RiveraBronco BetseyJuanita, and Hanna the Hen on Back at the BarnyardPortia GibbonsMillie MillersonChai GallagherMaude and Lola on The Mighty B!Darla the Baboon on The Penguins of Madagascar, and Kitty KatswellR.I.T.A., and Zippy on T.U.F.F. Puppy. She became the first host of Combination Lock from 2015 to beyond, and now voices LanaLola, and Lily Loud on The Loud House.

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HAUTE MESS MUSIC FEST

Intimate. Eclectic. Exclusive.  I am thrilled to join this first time fest!

Haute Spot — North Austin’s premier live music venue — is proud to present HAUTE MESS MUSIC FEST, featuring world-class performances by DJ Snoopadelic (Snoop Dogg), Ludacris, Big Gigantic, Cypress Hill, and many more! hautemessfest.com

Enjoy longer musical sets, gourmet fare curated by ATX Food Truck Festival, premium selections of beer, wine, and spirits, and an overall enhancement of the typical fest experience for all ticket holders. This intimate, backyard-style setting is just minutes from downtown Austin, Texas, “The Live Music Capital of the World.” In addition to live music, HAUTE MESS MUSIC FEST will have performances by Captain Burton’s Fun Time Sideshow Circus. Find out more about Haute Spot here: hautespotvenue.com

This ALL AGES Veterans Day weekend celebration benefits OSD (Operation Supply Drop) and Project K-9 Hero. A portion of the proceeds from every ticket sold will support these charities.

Kids 6 years old and under will be admitted for free on the following conditions:

  • 1 child per adult ticket purchased
  • No children in VIP

Military and first responders get 30% off tickets! Redeem at GovX.

Saturday, November 9

  • Big Gigantic
  • Cypress Hill
  • The Floozies
  • Max Frost
  • Darkbird
  • Deanna Wheeler
  • Auxymorons

Sunday, November 10

  • DJ Snoopadelic (Snoop Dogg DJ Set)
  • Ludacris
  • BoomBox
  • Missio
  • The Peterson Brothers
  • Dirty Wormz
  • Wheelz The Rapper

SPONSORS:

HAUTE MESS MUSIC FEST is brought to you by Haute Spot and the following generous partners: 

  • Michelob ULTRA
  • Deep Eddy Vodka
  • Dulce Vida Tequila
  • Hendrick’s Gin
  • Sailor Jerry Rum
  • Texas Ranger Whiskey

GETTING HERE / PARKING:

We encourage ride shares (Uber, Lyft, etc) and drop-offs in our designated drop-off/pick-up area. On-site parking near the festival will be available and sold online in advance on Eventbrite or can be purchased on site.

TIMES:

Gates open each day at 11 a.m.

Click Here for Prohibited Items and Bag & Chair Policy

ENHANCE YOUR HAUTE MESS MUSIC FEST EXPERIENCE!

  • Corporate or Group Tents: tents@hautemessfest.com
  • Round-trip Party Buses: buses@hautemessfest.com
  • Any questions? Just ask! info@hautemessfest.com

Please note the lineup and schedule are subject to change. Event is RAIN or SHINE. 

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DAVID BALL & THAT CAROLINA SOUND BACK IN AUSTIN!

DAVID BALL & THAT CAROLINA SOUND RECREATE THE SOUND OF
UNCLE WALT’S BAND WITH CD RELEASE SHOW AT THE 04 CENTER

AUSTIN, Texas – (October 17, 2019) – Grammy Award winning artist David Ball will recreate the sound of Americana pioneers, Uncle Walt’s Band, with a CD/Vinyl Release show at The 04 Center on Friday, November 15th.

An American In Texas returns nearly 40 years after its initial release, this time on LP, CD, and Digital. Originally released in 1980, it was the second album from Americana pioneers Uncle Walt’s Band, of which Ball was a founding member and upright bassist. The original 12-track vinyl is complimented by an expanded 25-track CD containing all 8 tracks from their cassette only Six • Twenty Six • Seventy Nine, and five previously unissued live and studio tracks. 

Called the Bluegrass Beatles by critics, Lyle Lovett wrote, “Those boys from Carolina, they sure enough could sing.” The album will be distributed for streaming and download on all digital platforms, with a physical CD available at independent record stores. Pre-order online here

In early 2017, David Ball revisited the music of Uncle Walt’s Band at an Austin house show with Warren and Marshall Hood (son and nephew of UWB co-founder Champ Hood). The overwhelming response created That Carolina Sound, and a string of sold-out shows have followed.

On a solo acoustic tour a few years prior, Lyle was asked about the unique sound of his music. “It’s that Carolina sound!”

Doors for this CD/Vinyl Release will open at 7:00 with show at 8:00. Tickets: https://www.04center.com/events/2019/11/15/kessler-presents-david-ball-amp-that-carolina-sound“Flash back, for a moment, beyond the just-finished South by Southwest to last year’s SXSW. Its 10-day run had just kicked off when, in a show that wasn’t even part of the festivities, Nashville songwriter David Ball joined cousins Warren and Marshall Hood at the Saxon Pub to revisit the music of beloved 1970s-’80s Austin trio Uncle Walt’s Band. Marveling at the magic brought back to life, listening to the sincere testimonials and lovely guest-vocal turns by Uncle Walt’s Band devotees Kelly Willis, Marcia Ball and Jimmie Dale Gilmore, I wondered how I could see anything for the rest of SXSW that would be as good as this. And I didn’t.” -Peter Blackstock, Austin American-Statesman, 3/26/19″Uncle Walt’s Band predicted Americana by 30 years…but they were more polished and practiced than most down-home sounds now in that field.” Barry Mazor, Wall Street Journal, “Roots Now” ACME Radio Nashville 4/17/19###

About The Boys in The Band 
David Ball grew up in Spartanburg, SC where he learned to play guitar but later honed his skills on the upright bass, which led to a gig playing bass in Uncle Walt’s Band, credited as the first Americana act. The legendary trio was headed by Walter Hyatt and also included Champ Hood. A solo career led Ball to Nashville where he signed a publishing deal and later, a recording contract.  David’s music came full circle when Lyle Lovett reached back into Uncle Walt’s Band repertoire to include one of David’s early songs, “Don’t You Think I Feel It Too” on his 2009 disc, Natural Forces. David won a Grammy Award for the song “Old Folks At Home (Swanee River)” from the album Beautiful Dreamer – The Songs of Stephen Foster. (2005) Fourteen of his singles have entered the Billboard charts, including “Thinkin’ Problem” and “Riding With Private Malone,” which made Ball one of the first artists to take an indie single to the Country Top 5. He has recorded a total of seven studio albums, including his platinum certified Thinkin’ Problem.  The title track was the top selling country song of 1994. In 2013 David Ball became one of the first living members to be inducted into the Historic Spartanburg Music Trail in his hometown of Spartanburg SC, joining other notables such as Hank Garland, Don Reno, Buck Trent and the Marshall Tucker Band. He won the 2016 Operation Troop Aid Chris Kyle Patriot Award, for his extensive work with our active duty servicemen and women. Ball released Come See Me, his 10th studio album, in 2018.

Warren Hood started playing classical violin at age 11 in the school orchestra, later studying privately with Bill Dick. He won classical music competitions, including the Pearl Amster Youth Concerto Competition and the Austin Youth Award, which gave him the opportunity to perform as a soloist on “Lalo Symphonie Espagnole” with the Austin Symphony, conducted by Peter Bay. After high school, Warren earned a rare scholarship to Berklee College of Music where he majored in Violin Performance. At Berklee, Warren earned the coveted String Achievement Award, an award chosen by faculty to honor talent and as a vote of confidence on future success. 
A multi-instrumentalist (violin, guitar, mandolin) and accomplished singer-songwriter, Warren is described in the press a lot of different ways: “virtuoso” ”seven time Austin Music Award winner – BestStrings” ”Texas fiddler” ”Chet Baker crooner” “bluegrass picker” – but for him it all kind of blends together into everything he does (and what he does doesn’t always have fiddle). Warren says slyly that“playing different styles of music is like speaking different languages – the difference between violin and fiddle is how you roll your Rs. The more languages you speak the more people you can talk to.”
Warren spends as much time with his band as he does playing and recording alongside other artists: David Ball, The Bodeans, Hayes Carll, Joe Ely, Alejandro Escovedo, Robert Earl Keen, Ben Kweller, Little Feat, Lyle Lovett, Joan Osborne, Toni Price, Bob Schneider, South Austin Jug Band, Redd Volkaert, Jerry Jeff Walker The Waybacks, Bob Weir, Bruce Robison and Kelly Willis and more.

Hailing from Spartanburg, SC, Marshall Hood is Champ Hood’s nephew, currently residing in Austin, TX.  Like all of the Hoods, Marshall rounds out a family of wildly talented musicians with effortless guitar work and a knack for crafting the most charming of songs – so reminiscent of his Uncle Champ it’s sometimes hard to tell the difference. After a successful run in high school with The DesChamps Band, a band he founded to honor Champ after his passing in 2001, Marshall made the pilgrimage to Austin, TX and began accompanying famed Austin singer, Toni Price, on her long-running residency at the renowned Continental Club. It would be here, of course, where Marshall firmly planted his roots and became a fixture in the eclectic Austin music scene. Marshall took a brief hiatus from Toni Price’s band from 2007-2011, though, touring the country with the young Americana group, The Belleville Outfit – making stops along the way at major festivals like Austin City Limits, Bonnaroo, and Merlefest. As an original member of The Belleville Outfit, Marshall recorded and released two critically acclaimed, independent albums, and picked up a nomination from the Americana Music Association for Best New/Emerging Artist.After The Belleville Outfit disbanded in 2011, Marshall turned his focus to his solo work, thus far releasing an self-titled EP, and forming Marshall Hood and the Bads – a clever turn on his cousin’s band, Warren Hood and the Goods. Much like Uncle Walt’s Band, Marshall’s songs can’t be pigeonholed into any one category – they transcend any one genre. He’s the consummate musician. He plays for hours and hours a day, playing as a member of The Warren Hood Band, Tuesday nights with Toni Price, and a regular at house concerts and a project called Sessions on Mary, a private house concert that is streamed live to viewers around the world.

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HECTOR, HECTOR, HECTOR!

This week it is all about the lovely, multi-talented Hector Ward and his triple-band (HWBT, Sly Curtis, and The Honeysuckle Sage Riders pictured above) inclusion at RajiWorld for world-wide booking.

I will begin with his name-sake band Hector Ward & The Bigtime.

With several Austin music scene accolades including Austin Chronicle’s Best New Local Acts list, one Writer’s Top 25 songs, a Best Of Critics Pick in the Austin Music Awards, KUTX 98.9 FM Song Of The Day, three studio albums under their belts, their impressive annually running SXSW “Blackfinger Festival” (https://www.facebook.com/Blackfingerfiestademusica/ ), and a 22 song live record, ‘Evolution – Live From The Saxon Pub’, Hector Ward and the Bigtime are coming at you like a runaway freight train.

Proud and honored to be featured alongside such talent and friends in the documentary film Nothing Stays The Same – The Story Of The Saxon Pub which premiered at SXSW 2019!

The band is proud to have shared the stage with: Eric Burdon & The Animals, The Zombies, Christopher Cross, Gary Clark Jr., Black Joe Lewis and The Honey Bears, Ruthie Foster, Brownout, Del Castillo, Bob Schneider, W.C.Clark, Ian McLagan, Carolyn Wonderland, George Porter Jr., Dennis Quaid, Malford Milligan, Ben Kweller, Red Young, Stanton Moore Trio,Vallejo, Guy Forsyth, Ozomatli, Eric Tessmer, Shiny Ribs, Papa Mali, Nakia, T-Bird & The Breaks, Riders Against The Storm, Tommy Taylor, Van Wilks, Tommy Shannon, Uncle Lucius and Bill Carter.

Members include Hector Ward on guitar and lead vocals, Noa Belillti on vocals, Mike McGurk on Drums, Scott Beardsley on Bass Guitar, Hunter St. Marie on Lead and Rhythm Guitar, and Rodney Corbin on congas and percussion. The horn line, known for enthusiastically leaving the stage and taking the music into the audience, includes Joseph Morrow on trumpet, Chris Beard on Tenor Saxophone and Ben Taylor on Trombone.

Booking Contact – roggie@rajiworld.com
Music Available – iTunes, Amazon, Google Play, CD Baby, Pandor

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Carson Creek Ranch and KUTX Present Blackfinger Fall Fest, a night long festival featuring live performances by:

Brownout Presents: Brown Sabbath
HeartByrne
Hector Ward & The Big Time
Sly Curtis
Eric Tessmer
Tomar and The FC’s

With Emcee and DJ: Mixer Rogers

Friday, November 1, 2019 at 6 PM – 1:30 AM
pinCarson Creek Ranch701 Dalton Ln, Austin, Texas 78742 Show Map
Hosted by Carson Creek Ranch

General Admission & VIP Tickets available!

❤️

Portion of proceeds go to Health Alliance for Austin Musicians (HAAM)

For more information about Health Alliance for Austin Musicians (HAAM) please visit myhaam.org.

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Austin’s Carson Creek Ranch Announces 2019 “Day Of The Deadhead” Festival In Honor Of Neal Casal

Austin, TX’s Carson Creek Ranch has announced Day of the Deadhead, a festival paying tribute to the Grateful Dead and the life of revered late guitarist, Neal Casal. The one-day event will be held on Saturday, November 2nd.

Carson Creek Ranch Presents has recruited an all-star lineup for the special festival including Casal’s band, Circles Around The Sun, as well as Dark Hallow featuring George Porter Jr.Steve KimockPapa MaliMatt HubbardTerrence Houston & Friends, Nicki Bluhm with Scott Law and Ross JamesRoots of CreationThe New BohemiansDeadeye, and DJ ZAPOT of Golden Dawn Arkestra.

A portion of the proceeds will benefit Health Alliance for Austin Musicians (HAAM). HAAM provides access to affordable healthcare for Austin’s low-income working musicians, with a focus on prevention and wellness. By resolving challenges such as long-neglected teeth to hearing loss, heart problems and depression, HAAM and their partners improve and save musicians’ lives and enhance Austin’s economy and quality of life.

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